sculpture
New avenues for sculptural work are always brewing and recent focus has been the language of the clay material. How it is to make it speak.This direction gives less importance to creating and designing a stylised form and more on what the clay material can achieve through manipulation. By exploring the receptive nature of clay, the cavities and voids pertaining to the emotional self are made visible.
Through contact with the rugged Dartmoor & West Yorkshire landscapes, obscure rock formations of South India and bleak remote Shetland Isles, a language has been developed that reflects the ephemeral nature of the makers emotional world.